Can you give us a brief description of yourself and your background?

I’m an artist from Birmingham where I’ve lived since 1992. Before that I lived in London and Somerset. I paint from my garden studio, which is my sanctuary.

I trained in Fashion Design at the London College of Fashion and specialised in illustration. I chose not to pursue a career in fashion (I thought it was too pretentious!) but have always created. 

Can you tell us briefly about your art practice?

I am a mixed media artist, but I always include Encaustic wax, which is an ancient medium made from Beeswax, damar resin and pigment. It’s great to use as it is so versatile – you can achieve a highly textured, sculptural effect or you can choose a marble smooth surface that can be buffed up to a glossy shine. It has translucent qualities too so layering looks beautiful.

I often use some sparkle in my work with iridescent powders and metallic pigments which add to the texture and catch the eye of the viewer.

I paint mostly modern botanicals and contemporary landscapes. I find inspiration everywhere, but I have a soft spot for retro 60’s and 70’s prints and patterns. I also rock some animal print!

What motivated you to apply for the artist residency at Bannatyne Hotel & Spa?

This was such a great opportunity to expand my audience and spread the love! What is not to like? I am always open to opportunities but this one appealed because it was a residency as well as a solo exhibition. This was my first residency, so it was a learning curve. It has taught me a great deal about marketing and talking to potential collectors and galleries. 

I also loved the setting at the hotel and grounds. It was just coming into Spring, so everything was starting to pop. I have already begun to a body of work inspired by the colours of Spring. 
And yes, of course I sampled the spa. It had to be done!

What were you looking for as an outcome? And did you achieve this?

I was looking to expand on my experience and come away with a better understanding of what a residency involves. I wanted to make links with other artists and galleries in the area, which I did. 

I was also looking for some quality time to focus purely on my practice and inspiration in the most relaxing setting. 

How did you spend your time when staying on location in Hastings?

I spent my time getting to know Hastings by walking along the seafront, eating out and exploring the town. I loved it – it’s like your traditional British seafront with fish and chips galore but only one street back and you have an area that’s like Brighton Laines before it got trendy. Lots of gorgeous traditional shopfronts, bright coloured houses, world food restaurants and pretty alleyways. 

What did you learn from having a solo show?

I have previously had a solo show, but it was years ago, so it was great to get back into the swing of things and felt such a treat since the isolation of lockdowns. It was so good to see my work hanging cohesively on the walls of such a stunning building. 

What did you learn from delivering a workshop and talk?

I gained more confidence in talking about myself and my practice. That was huge for me, as I’m not very confident at public speaking so it was a way to tackle my fear! I’m always happiest when showing people my process so the demo and workshop was really enjoyable. The attendees were fun and interested which also helped.

How has the whole experience benefited you and your art practice?

Confidence is the number one benefit. I feel like I’m growing into my professional self and this experience played a huge part. It has validated my practice and who I am.

I also came away inspired and have begun to translate that inspiration into paintings which will be available in my Spring drop.

How has working with Lesley helped you?

Lesley has so much knowledge about the art world and gives me invaluable advice. She gives me clarity and clear goals. I have gained so much confidence from her and have really started to believe in myself. 

As well as that, she is also great company and a good laugh.

What plans do you have now for the future that are new?

I will be starting a collection of hand embellished prints so that I can go large. I would like to do an art fair this year too. Long term plans are to be able to reduce my day job hours to be able to focus on my art business. I would also love to do a residency in America to delve more deeply into the world of Encaustic.

Would you recommend the residency retreat to other artists? And if yes, why?

Of course – it’s a great opportunity to connect with your audience. Solo shows are validating – it’s all about you, so enjoy it!

Is there anything else you would like to share with us?

I would strongly recommend joining the Pure gang if you are an artist at any stage in your career. Being an artist can be a lonely existence so it’s lovely to be part of a supportive group.